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Connecting the Medieval to New England
Still Image
Catalog Entry
Forest Hill Cemetery, found in the city of Fitchburg, Massachusetts, is recognizable by its rolling green hills, large number of head stones and burial sites, and wide open landscape. It was first established in 1856 and was designed by the architect Amasa Farrier. It is also well-known for its prominence of military members who are buried on the site as well as various ethnicities including French, English, Irish, German, Greek, Hispanic, and more. Mt. Elam Road, the road where the cemetery resides, also has significant historical value for the city. According to the Fitchburg Reconnaissance Report this road was first built in order to be a "designated scenic road" and also connects to downtown Fitchburg as well as Route 2. The geology of the city also plays an important role to Forest Hill Cemetery. Perhaps the most striking aspect of these burial grounds is the rise and fall of the hills on the property. The Fitchburg Reconnaissance Report says that, during the ice age, ice settled in the area and helped to create the "bowl shaped area" as well as the steep hills found in the city and in the cemetery. It is likely that these hills were an inspiration for the name of the cemetery. The largest cemetery in Fitchburg, it currently has approximately 60,000 grave sites, and there are currently plans to expand the site over the next 5-7 years according to the <em>Sentinel and Enterprise</em> newspaper. While this cemetery is certainly unique in its own ways, it still represents the traditional values of American burial practices. These values are noticeably different in other cultures, specifically the Old Norse burial practices of the Middle Ages. <br /><br />The Nordic burial mounds found in Jelling, Denmark are a striking example of the differences between the pagan burial rituals of the Norse and the modern American rituals. These two nearly identical mounds are about 70 meters in diameter and 11 meters high. These mounds would be built over the graves of prevalent members of the Norse community and are intricately layered to ensure they would last for centuries. A later addition to the mounds, a runic stone erected by Harald Bluetooth, represents the shift from a pagan society to a Christian one in later years. This site also once contained the first Christian church built in Jelling. This site offers an ideal illustration for the sudden shift in religious ideas and customs for the Norse people. Changing burial practices and other customs are also something that can be seen in the Icelandic sagas. <br /><br />The Icelandic sagas, the lore and founding literature of these people, contains scenes of burial procedures and how these procedures were affected by the shift from paganism to Christianity. This is specifically apparent in <em>Erik the Red's Saga</em>. In chapter 6 of this saga, we see Thorstein who, along with many of his fellow villagers, has succumbed to sickness. He returns from the dead to tell Gurdid, a female villager, that he wishes to be buried with the new Christian rituals. He says to her from beyond the grave, "These [pagan] practices will not do… I want to have my corpse taken to a church" (664). Only after Thorstein and his fellow villagers have been buried in consecrated grounds do their spirits finally rest. This scene represents the shift in religious views as well as burial rituals, something that was important to the Norse people as well as the people of the United States. While there are certainly differences between the customary rituals of medieval Norse culture and modern-day American culture, the value of finding appropriate places to bury our dead remains constant in these societies. This can be seen at the Forest Hill Cemetery in Fitchburg, Massachusetts, as well as at the historical site of Jelling, Denmark.
Bibliography
Dobbins, Elizabeth. “Fitchburg Looks to Expand Forest Hill Cemetery.” <em>Sentinel and Enterprise</em>, 30 Aug. 2017. <br /><br /><span class="TF">"Erik the Red's Saga." <i>The Sagas of Icelanders: A Selection. </i>Edited by Jane Smiley, and Robert Leland Kellogg. Translated by Keneva Kunz. Penguin, New York, 2001. </span><br /><br />Freedom's Way Heritage Association. <em>Fitchburg Reconaissance Report: Freedom's Way Landscape Inventory</em>. 2006, ci.fitchburg.ma.us/DocumentCenter/Home/View/482.<br /><br />Galvin, William Francis. “Welcome to MACRIS.” <em>Welcome to MACRIS</em>, mhc-macris.net/. <br /><br />“Jelling Mounds, Runic Stones and Church.” <em>UNESCO World Heritage Centre</em>, whc.unesco.org/en/list/697. <br /><br /><span class="TF"></span>
Photographer(s)
Kisha G. Tracy
Katie Duncan, Student, Fitchburg State University
Catalog Entry Author(s)
Alexander Dewhurst, Student, Fitchburg State University
Research Assistant
Matthew McCann, Student, Fitchburg State University
Research Assistant(s)
<span>Matthew McCann, Student, Fitchburg State University</span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jelling, Denmark - Gorms Høj; Fitchburg, MA - Forest Hill Cemetery
british literature I fall 2017
burial practices
cemetery
denmark
FAMExhibition
fitchburg
grave
hammondexhibition
massachusetts
middle ages fall 2017
photography ii fall 2017
sagas
viking
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Dublin Core
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Title
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Connecting the Medieval to New England
Still Image
Catalog Entry
<p>There are many ways to depict innocence in a story. Words used to describe innocence can be “small,” “little,” “young,” etc. These could also be related to a small or young child or a location such as a small town. <br /><br />Dorchester is a historic neighborhood located in Boston, MA. It was founded by Puritans in 1630 who emigrated from Dorchester, Dorset, England. It is currently Boston’s largest neighborhood. Dorchester is home to the oldest religious organization in Boston, a church that was originally created as the First Parish Church of Dorchester and still remains today. In addition to this accomplishment, Dorchester is also home to the first and oldest public elementary school in America, the Mather School. The school was created in 1639 and also stands today. Dorchester was founded only a few months before the city of Boston was founded, showing a scale of how important this neighborhood was historically for the growth of America. <br /><br />The story of <em>The Prioress’s Tale</em> takes place in a small Christian town somewhere in Asia. Children are a reoccurring topic in the story, representing innocence. The focus of the story is of a Christian boy, who is murdered on his way home from school by a group of Jewish boys who were told to do so by Satan himself. The neighborhood of Dorchester, to me, reminds me of these scenes. The schools and churches are small as well as the neighborhood itself. It was a religious town, which resembles the town in which the story took place. <br /><br />A marble font of Saint Nicholas in Winchester Cathedral is also a good reminder of the story. The Tournai Marble Font was bought from Tournai, in modern Belgium, in the 12th century and is still there today. The block this piece of art was carved from weighed around 1.5 tons and dates back to around 1150. It is the finest of ten fonts in England. In this time period, sculptures were created as iconic messages to be shared. This particular font is decorated with the extraordinary life of Saint Nicholas with symbolic animals such as birds and lions. It is thought to be a gift from Henry of Blois, William the Conqueror’s grandson. Saint Nicholas was known as a man who committed many acts of kindness, especially to children, leading to his identification with Santa Claus. The carvings on the font show multiple stories, but all of them revolve around Saint Nicholas. A few of the stories depict St. Nicholas bringing people back to life. Fonts are mainly used as a symbol of the start of Christian life. They also hold the water in which babies are baptized. It is still used for baptisms today. This relates to Chaucer’s <em>The Prioress’ Tale</em> due to the fact that Saint Nicholas is the patron saint of children by means of acts of kindness. The fact that he brought people back to life resonates with the story, specifically when the Christian boy who was murdered comes back to life singing the song of the Vigin Mary that caused the boys to murder him in the first place.</p>
<em>Photo: Western Union telegram sent from Dorchester to Fitchburg congratulating a family member on the birth of a child (from Fitchburg Historical Society collection).</em>
Bibliography
“A Brief History of Dorchester.” <em>MyDorchester</em>, mydorchester.org/history. <br /><br />Taylor, Earl. “Dorchester MA, Town History 1630-1870.” <em>Dorchester Atheneum</em>, www.dorchesteratheneum.org/page.php?id=52. <br /><br />“Tournai Marble Font.” <em>Winchester Cathedral</em>, www.winchester-cathedral.org.uk/our- heritage/cathedral-treasures/tournai-marble-font/.
Photographer(s)
Kisha G. Tracy
Catalog Entry Author(s)
Mitchell LeBlanc, Student, Fitchburg State University
Accessible Description of Image(s)
First image: There are people etched in stone. The photo is in black and white. The main statues are men, and they are holding a stick-like object in their hands. The etching is on the side of a fountain.
Description by: Courtney Hastings, Student, Fitchburg State University
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Title
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Winchester, UK - Saint Nicholas Font (Winchester Cathedral); Boston, MA - Dorchester
artifact
cathedral
chaucer
england
FAMExhibition
fitchburg historical society
hammondexhibition
massachusetts
middle ages fall 2017
religion
saint
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Connecting the Medieval to New England
Still Image
Catalog Entry
The heroic figure defending the downtrodden is available in most cultures. With the omnipresent threat of violence and invasion by outside forces and religions, the Middle Ages were a time fraught with peril. Because of this, society became fixated on the heroic feats of those believed to be ordained by God to deliver salvation. During the Middle Ages, the hero is a commonly seen figure in religious, literary, and historical contexts. <br /><br />The Old English tale of <em>Judith</em> is an epic story of a fearless Hebrew leader putting herself in harm's way in order to save her people. The titular character Judith is the de-facto leader of the Hebrew city of Bethulia. The lone city is besieged by an Assyrian army led by the evil general Holofernes. Going alone to the enemy encampment, Judith prays to the Almighty for the strength to decapitate the sinful Holofernes. Judith's accomplishments inspire her people to fight back and eventually eliminate the Assyrian army. Judith is noteworthy not only for being an example of a female hero in Old English literature, but also for being a symbol of religious protection. <br /><br />However, tales of a divine heroine fighting for the justice of her people are not exclusive to literature, as the historical figure Joan of Arc shares an uncanny number of similarities to fictional heroes. Joan of Arc believed that she received a premonition from God compelling her to take up arms against the English armies. Inspiring her fellow soldiers, Joan of Arc became a hero to the French and eventually succeeded in liberating Orleans. Joan of Arc, despite waging a war, remained faithful to her belief in God. In some instances, for example, she allowed English soldiers to retreat on a Sunday instead of killing them. Despite eventually being executed by the English, Joan of Arc became a martyr for the French cause and lived on as an icon. <br /><br />Similarly, community leaders in religious circles are often seen as heroes for their ability to help those around them. In Worcester, Massachusetts, early Italian immigrants faced ostracism by the Irish community due to having to share mass with the Irish Catholics at Saint Stephens Church. The Italians would need their own church in order to continue worshipping in their native tongue. Though an attempt to create an Italian parish started in 1890, it was eventually abandoned due to financial complications. In 1904, the project was revived by Monseigneur Gioachino Maffei, who would later become a spiritual leader for the Italian community in Worcester. By 1906, the “Our Lady of Mt. Carmel Church” was officially opene and stood as a welcoming place for Italian Catholics. <br /><br />Unfortunately, this historic parish and spiritual pillar of the Worcester community faces possible demolition in the near future. Since 2016, the church has been officially closed due to structural damages it received while being right next to Interstate 290. Repair costs range in the millions, and the property is on sale and currently still looking for a buyer.<br /><br />On a surface level, <em>Judith</em>, the story of Joan of Arc, and the church “Our Lady of Mt. Carmel” are clearly different, as Monseigneur Maffei building a church and Judith decapitating Holofernes should be quite obviously unrelated. While heroic figures can take many different forms, they all encompass a desire for protection and justice. The Italian parish of Worcester serves just as much as an icon as the monuments of Joan of Arc or the literary exploits of Judith.
Bibliography
"Archive of Most Endangered Historic Resources." <em>Preservation Massaachusetts, </em>2016, http://www.preservationmass.org/archive.<br /><br />“Joan of Arc.” <em>Biography.com,</em> 28 Apr. 2017, biography.com/people/joan-of-arc-9354756.<br /><br />Lucas, Peter J. “Judith and the Woman Hero.” <em>The Yearbook of English Studies,</em> vol. 22, 1992, pp. 17-27. <em>JSTOR, </em>jstor.org/stable/3508373.
Photographer(s)
Kisha G. Tracy
Jon Jones, Adult Learning in the Fitchburg Area (ALFA)
Catalog Entry Author(s)
Jacob Meck, Student, Fitchburg State University
Research Assistant(s)
Chaz Deveney, Student, Fitchburg State University
Accessible Description of Image(s)
First image: Joan of Arc is standing tall and staring off in the distance with a serious expression. She is wearing metal armor that is blue and gold. There is gold detailing on the armor including a sword located in the center of her chest on a blue hexagon. The background is dark and looks like it may be a building. Joan is the focus of the image.
Description by: Laura Hildick, Student, Fitchburg State University
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Poitiers, France - Statue of Saint Joan of Arc (Église Saint-Hilaire-le-Grand); Worcester, MA - Our Lady of Mt. Carmel Church
british literature I fall 2017
church
FAMExhibition
france
hammondexhibition
judith
massachusetts
middle ages fall 2017
religion
statue
women
worcester
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1672f2b8d52869e81f3f6a5f46ddc978
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Connecting the Medieval to New England
Still Image
Catalog Entry
<p>There are three legends of three knights in three different countries around the world. The first is the well-known legend of King Arthur and how he pulled the sword from stone. The second legend is the story of Sir Galgano, a knight who became a saint. The last legend is of Sir James Gunn, the knight of prince Henry Sinclair. All three of these stories involve a knight, a sword, and the legend they left behind. <br /><br />Although many have heard different stories of King Arthur, this story comes from <em>Le Morte d’Arthur</em> by Thomas Malory. As the story goes, Arthur, before he became the king, was raised by Sir Ector. Sir Kay and Sir Ector, his foster-brother, were planning to take part in a New Year’s joust. Sir Kay forgot his sword. Arthur goes back to their lodging to get Sir Kay’s sword and return it to him. When he arrives at the lodging he finds the placed locked with no one inside, so instead Arthur goes to a churchyard where he finds a sword in a stone. He “lightly and fiercely pulled it out of the stone” (Malory). This sword however was special; it can only be pulled from the sword by the true and rightful king of England. Many tried to pull the sword, but to no avail. This is the story of how Arthur becomes King. People see that he is able to pull the sword from the stone and realize he must be the king. This legend is an iconic one. While this story originates from England, a similar legend exists in Italy. <br /><br />The story of Sir Galgano is one of a knight who becomes a saint. The story goes that Sir Galgano was a famous knight, who was contacted by Archangel Michael in a dream. Michael leads this knight reluctantly to a hill in Monte Siepi, where a small circular church stood. Michael asked him to renounce all worldly pleasure. Being the short-tempered knight that he is, he says, “Indeed, I would gladly follow your order, but doing so for me would be as easy as splitting rocks with a sword.” Galgano draws his sword and strikes the rock to prove a point. Sir Galgano was expecting the sword to break, but the sword “penetrated the rock like a hot knife through butter” (O’Reilly). His story spread far and wide. The devil sent an evil man disguised as a monk to kill Galgano. The wolves he befriended killed this evil man protecting Galgano. A year after sinking the sword into the stone Galgano died. His story was so well-known that bishops and abbots attended the funeral. The sword can be seen even today, protruding from the jagged rock, surrounded by the Monte Siepi Chapel. His canonization, the process for someone to officially become a saint, began a few years after his death, in 1185. It was “suggested by some as the inspiration for the British legend,” the story of King Arthur in Britain (Horty). While these stories come from countries on the other side of the world, there is a legend of a knight in New England.<br /><br />Prince Henry Sinclair led an expedition to explore Nova Scotia and Massachusetts in 1398, 90 years before Columbus! The Westford knight is a carving of a knight with a cracked sword and a shield. This knight was one of Prince Sinclair’s knights. While he was exploring Massachusetts, the loyal attendant, by the name of Sir James Gunn, died. In memory of Sir James Gunn they carved an effigy into a rock. This rock had scratches on it previously and “were incorporated into the man-made design” ("The Westford Knight"). This carving was not always believed to be from a Scottish explorer. It was believed to be a Native American carving or a colonial one. <br /><br />These stories all have their differences and similarities. All originated in different countries, telling tales of three separate times. These stories, and the physical remnants they left behind, are important. They connect the history from every country.</p>
Bibliography
Horty, Daniel. "The Legendary Sword in the Stone of San Galgano." <em>Ancient Origins</em>, 28 Apr. 2014, www.ancient-origins.net/artifacts-other-artifacts/legendary-sword-stone-san-galgano-002968. <br /><br />Malory, Thomas. <em>Le Morte D'Arthur</em>. Random House Publishing Group, 1999. <br /><br />O'Reilly, Hugh. "The Sword of St. Galgano." <em>Tradition in Action,</em> 5 Nov. 2016, traditioninaction.org/religious/h141_Galagano.htm. <br /><br />“The Westford Knight.” <em>Clan Gunn Society of North America</em>, clangunn.us/knight.htm.
Photographer(s)
Kisha G. Tracy
Olivia Grant, Student, Fitchburg State University
Catalog Entry Author(s)
Kyle Humphreys, Student, Fitchburg State University
Research Assistant(s)
Nicholas Estrela, Student, Fitchburg State University
Accessible Description of Image(s)
First image: There is a sword, thrust directly into a large rock. By looking closer at the blade, you can almost feel as if the sword itself tells a story that stretches far beyond its appearance. The corroded blade guard tells a story as old as time itself. The handle lacks any kind of hand protection, but is curved and designed for the user to hold the weapon with ease. Finally, the blade is tapered off at the end with a circular end, likely important to its very design. The blade is sheathed within the rock itself.
Description by: Nicholas Bryant, Student, Fitchburg State University
Dublin Core
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Title
A name given to the resource
Chiusdino, Italy - Sword of Saint Galgano (Cappella di San Galgano a Montesiepi); Westford, MA - The Westford Knight
abbey
british literature I fall 2017
FAMExhibition
hammondexhibition
italy
king arthur
knight
massachusetts
middle ages fall 2017
photography ii fall 2017
saint
sword
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Connecting the Medieval to New England
Still Image
Catalog Entry
The statue of Boudicca in London, England is in memoriam of the great Celtic queen of the Iceni tribe, who led a revolt against Rome after they removed her tribe’s status as allies and took her husband’s land after his death. Her objections to these actions were met with a flogging and the raping of her two daughters. Her revolt had her tearing Roman cities apart, leaving 80,000 Roman citizens dead before she was defeated. <br /><br /> A little closer to home, the Anne Hutchinson statue in Boston, Massachusetts was built to honor the bravery of Anne Hutchinson, a woman who was willing to express her own religious beliefs and challenge the sexism that held her to a submissive role. This led to her being banished from the community of Puritan Massachusetts; she then moved to the colony that is now known as Portsmouth, Rhode Island only to be killed by the Native Americans known as the Siwanoy alongside most of her children. <br /><br /> Judith was the young Hebrew woman who stood up on behalf of her people at Bethulia when an army arrived to conquer the land. Using her wits and beauty, Judith maneuvered her way to Holofernes, the leader of the army, and beheaded him in his sleep. This lead to her people rising up and taking back their land and Judith heralded as a hero.
Bibliography
<p><span class="TF"><span class="tf">Ades, David. "Boudicca."<i> Social Alternatives</i>, vol. 29, no. 1, 2010, pp. 48<i>, ProQuest Central</i>, https://web.fitchburgstate.edu:2443/login?url=https://search.proquest.com/docview/213966314?accountid=10896.</span></span></p>
<p>McGunigal, Lisa. "The criminal trial of Anne Hutchinson: ritual, religion, and law." Mosaic: An interdisciplinary critical journal, vol. 49, no. 2, 2016, p. 149. General OneFile, link.galegroup.com/apps/doc/A462327512/ITOF?u=mlin_c_fitchcol&sid=ITOF&xid=75f74d22. <br /><br />Potter, T W. You Are Looking For. Oxford University Press, 23 Sept. 2004, ds5tw8cn5h.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.title=Oxford%2BDictionary%2Bof%2BNational%2BBiography&rft.au=T.%2BW.%2BPotter&rft.atitle=Boudicca&rft.date=2004-09-23&rft.pub=Oxford%2BUniversity%2BPress&rft.isbn=019861411X&rft_id=info%3Adoi%2F10.1093%2Fref%3Aodnb%2F2732&rft.externalDocID=10_1093_ref_odnb_2732¶mdict=en-US. <br /><span class="TF"><span class="tf"> </span></span></p>
Photographer(s)
Kisha G. Tracy
Catalog Entry Author(s)
Charles Gomez, Student, Fitchburg State University
Research Assistant(s)
Megan Burnap, Student, Fitchburg State University
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Title
A name given to the resource
London, UK - Statue of Boudicca; Boston, MA - Statue of Anne Hutchinson
british literature I fall 2017
england
FAMExhibition
judith
massachusetts
middle ages fall 2017
photography ii fall 2017
statue
women
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Title
A name given to the resource
Connecting the Medieval to New England
Still Image
Catalog Entry
<em>The Reeve’s Tale</em> from <em>The Canterbury Tales</em> by Geoffrey Chaucer, the photograph of St. Mary’s Church of Oxford University, and the photograph of Thompson Hall at Fitchburg State University have a connection that is revealed when looking in-depth at the cultural significance of both locations as well as the text. In <em>The Reeve’s Tale</em>, Chaucer tells us a story about a miller that steals from the townspeople. Not only does the miller partake in thievery, but he also has a negative view of the university students that are included in the tale. <br /><br />In Dr. Tracy’s photo, she captured a monstrous gargoyle overlooking Oxford University. The gargoyle follows the typical definition of a gargoyle, as its mouth is used as a water spout. Looking down upon the university as well as “spitting” down on to the university’s property is a fitting image to attach to T<em>he Reeve’s Tale</em> as the miller has negative thoughts towards the university students: “The gretteste clerkes been noght wisest men" (Chaucer Line 4054). This quotation in the story by Symkyn, the miller, shows just how lowly he thinks of men that look towards a fancy education as a means to attain wisdom. Combined with the fact that the miller has repeatedly stolen mill and recently increased the amount stolen by a hundredfold, this photo and text pairing work well as the gargoyle looks down on to the campus. <br /><br />Thompson Hall was built in 1896 and used as the only building on the campus of the State Normal School (previous name of school before Fitchburg State). The building was set on top of a hill with the entrance facing directly towards Myrtle Avenue. This was a beautiful site to see as you were driving north up North Street or Myrtle Avenue. However, after the building of Hammond Hall, the rest of the city was almost blocked off by the windowless brick side of the building facing North Street and Myrtle Ave (Jackson). This symbolized the relationship and the separation between the city and the university. <br /><br />As of today, the neighborhood that Thompson Hall faces is the ninth most dangerous neighborhood in the city ("Fitchburg, MA: Crime Rates"). According to the FBI’s 2016 Uniform Crime Report, the violent crime rate in Fitchburg sits at the tenth highest per capita in all of Massachusetts ("50 Mass Communities"). The crime rate around Thompson Hall reminds us of how lawless Symkyn is with his meal thievery. <br /><br />The interesting and ironic part of all of this is that John G. Thompson was quite the poet while also the first principal of the State Normal School. In line with how Symkyn looks at how one must be educated, Thompson says, “Learn by doing,” yet he was the principal of a formal higher education institution (Jackson). Imagine if John G. Thompson could travel into the story of <em>The Reeve’s Tale. </em>Could Principal Thompson influence Symkyn in a positive way? Would Symkyn see that formal education versus “street” education is not as black and white as he had previously thought? Beyond that, what if Principal Thompson travelled forward in time to when Hammond Hall was built? Would he allow for the building to be built with only brick facing the city? One would like to think that Thompson would be the saving grace to both of these situations. However, time travel is not available to us. This is why it is imperative that we continue to preserve all types of cultural heritage. We must continue to learn from our past to make our present the best that it can be.
Bibliography
“50 Mass. communities with most violent crime per person.” WCVB 5 ABC, wcvb.com/article/50-mass-communities-with-most-violent-crime-per-person/12485818. <br /><br />Chaucer, Geoffrey. "The Reeve's Tale." Translated by Larry D. Benson, 2008, sites.fas.harvard.edu/~chaucer/teachslf/rvt-par.htm. <br /><br />“Fitchburg, MA: Crime Rates.” Neighborhood Scout, neighborhoodscout.com/ma/fitchburg/crime. <br /><br />Jackson, Asher. Personal interview. 17 Nov. 2017.
Photographer(s)
Kisha G. Tracy
Allison St. Peter, Student, Fitchburg State University
Catalog Entry Author(s)
Aaron Canterbury, Student, Fitchburg State University
Research Assistant(s)
Kimberly DiManno, Student, Fitchburg State University
Accessible Description of Image(s)
First image: A decayed gargoyle watches over a campus with three entrances and pillars on top.
Description by: Makayla Dones, Student, Fitchburg State University
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Title
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Oxford, UK - University Church of Saint Mary the Virgin; Fitchburg, MA - Thompson Hall, Fitchburg State University
british literature I fall 2017
chaucer
education
england
FAMExhibition
fitchburg
hammondexhibition
massachusetts
middle ages fall 2017
photography ii fall 2017
university
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Connecting the Medieval to New England
Still Image
Catalog Entry
<p>Giovanni Boccaccio wrote Day 10, Story 10, also known as the story of Griselda, as the final tale in his <em>Decameron</em>. This story takes place in a town south of Turin, Italy, and revolves around the tale of an Italian Marquis of Saluzzo named Gualtieri, who is plagued with the responsibility to produce an heir to continue his bloodline as the leader of his people, a problem that he chooses to solve by marrying a peasant woman named Griselda. <br /><br /> Certaldo, Italy - Casa del Boccaccio; Giovanni Boccaccio [1313-1375] <br /><br /> Much like Gualtieri, Italian writer and poet, Giovanni Boccaccio managed to create his own legacy through his life and works which since then have become some of the greatest historical features of his hometown of Certaldo, Italy. Found on Via Boccaccio, within the heart of Certaldo, buildings such as Boccaccio’s very own home have been turned into museums to pay homage to one of Italy’s most prominent literary figures. Casa del Boccaccio was Boccaccio’s childhood home since the early 13<sup>th</sup> century. It was restored in 1823, although the original structure of the home was damaged on January 15, 1944, due to an airstrike during World War II. Since then, the house has been rebuilt and renovated to preserve the illustrious works of the poet, including furniture and various illustrated editions of the <em>Decameron</em> that survived the war. Other objects that can be found within the small museum include a collection of late 14<sup>th</sup> to early 15<sup>th</sup>-century women’s shoes, the fresco painting of Boccaccio by painter Benvenuti housed within “the poet’s room," and various geographical, historical, and cultural exhibitions dedicated to Boccaccio’s time. Lastly, housed within Boccaccio’s home is the tombstone plate of the poet, although the actual poet’s remains reside in another tomb located in the Chiese dei Santi Jacopo e Filippo, known as the Church of St. Jacopo and Filippo, also located in Certaldo. <br /><br /> Fitchburg, MA - Fitchburg Art Museum; Eleanor Norcross [1854-1923] <br /><br /> New England, though in many ways different from Certaldo, Italy, contains many museums that house a tremendous amount of history. One such museum is the Fitchburg Art Museum, located in Fitchburg, Massachusetts. Like many other cultural heritage sites like Casa del Boccaccio, we can thank legacy for its existence. The Fitchburg Art Museum owes its creation to its founder, Ella Augusta, better known as Eleanor Norcross. Eleanor Norcross much like Boccaccio grew up in the town for which she is famous. From an early age her parents, who were also influential Fitchburg residents, supported her pursuits in the arts, painting, and art collecting. Her father, Amasa Norcross, survived both Eleanor’s mother and younger brother, resulting in a strong relationship with his only daughter. Due to his influence, Eleanor went on to study fine arts in Paris, France, through which she then became the avid painter we know today. This was not enough, however. Eleanor wanted to share her appreciation for the arts and the collections that inspired her with all her fellow Fitchburg residents. It was through this goal that the Fitchburg Art Museum was born, first as the Fitchburg Art Center (1929) and later on as the current museum. Much like Boccaccio, though Eleanor never lived to see the result of her dream realized, or the effects of her inspiration, her legacy lives on through those who have chosen to preserve her memory and work. As a result, through a translation of her vision, her collection has grown and will continue to do so, so long as cultural heritage continues to be of importance.</p>
Bibliography
Boccaccio, Giovanni. "Day 10, Story 10." <i>The Decameron. </i>Translated by Wayne A. Rebhorn. W.W. Norton and Company, 2016.<br /><br />“Casa del Boccaccioente Nazionale Giovanni Boccaccio.” <em>Giovanni Boccaccio National Organization,</em> www.casaboccaccio.it/casa-boccaccio.html#stanza. <br /><br />“Eleanor Norcross.” <em>Fitchburg Art Museum</em>, fitchburgartmuseum.org/eleanor-norcross.php. <br /><br />“Evoking Eleanor: The Art, Life, and Legacy of FAM Founder Eleanor Norcross.” <em>Fitchburg Art Museum</em>, fitchburgartmuseum.org/evoking-eleanor.php. <br /><br />Scharnagl, Donna. “Certaldo, A Tuscan Town That Gets Your Attention.” <em>Discover Tuscany, </em>discovertuscany.com/tuscany-destinations/certaldo-an-overview.html.
Catalog Entry Author(s)
Maria Pedroza-Acosta, Student, Fitchburg State University
Research Assistant(s)
Katie LeProhon, Student, Fitchburg State University
Accessible Description of Image(s)
First image: In this picture is an Italian, cobble-stoned street that reaches to a background with vague hills and farmland. Aged houses with wooden shutters line both sides of the streets along with terraces and various bushes. The houses are colored similarly as they are all different shades of brown. In the street are scattered people along with a dog.
Description by: Tyler Ansin, Student, Fitchburg State University
Photographer(s)
Kisha G. Tracy
Robert D. Gosselin, Alum, Fitchburg State University
Dublin Core
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Title
A name given to the resource
Certaldo, Italy - Casa del Boccaccio; Fitchburg, MA - Fitchburg Art Museum
alum
author
boccaccio
british literature I fall 2017
FAMExhibition
fitchburg
italy
massachusetts
middle ages fall 2017
museum
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Title
A name given to the resource
Connecting the Medieval to New England
Still Image
Catalog Entry
<p>Whydah Pirate Museum is in Yarmouth, Massachusetts. The wreck of the Whydah Gally is approximately fifteen-hundred feet off Marconi Beach in Cap Cod, with most of its wreckage submerged in sand. Originally built in 1715 as a transport ship for slaves, the Whydah Gally sat at one-hundred feet in length and weighed over three-hundred tons. During its first and only voyage as a slave transport ship, it was taken by pirate captain Sam “Black” Bellamy after a three-day chase. By the time Bellamy’s fleet reached New England after taking over the Whydah, he and his crew had plundered over fifty separate vessels. On the night of April 26, 1717, a nor’easter struck the Whydah, running the ship aground on a sandbar. Many of the pieces recovered from the wreck are on display in the Whydah Pirate Museum, which currently houses a full-size replica of the ship. Since the wreck’s discovery by an underwater explorer named Barry Clifford, over two-hundred-thousand pieces have been recovered by Clifford’s team according to Ian Aldrich of <em>New England Today.</em> The wreck of the Whydah is one of the only golden-age pirate wrecks with undoubted conformation thanks to the discovery of a plaque and bell with the ship’s name on both, which makes it a cultural symbol of the late golden-age of pirating. Not only is it one of the only identified golden-age pirate wrecks with two pieces of proof confirming the ship’s identity, but it also remains in the New England area, making it a valuable symbol of pirating and pirate culture during the early 18th century. Pirating and pirates have a long-standing history in the seafaring world. Traversing oceans and battling the elements can be just as deadly as the pirating and raiding, and the 18th-century pirate lifestyle owes a great deal to that of their Viking metaphorical ancestors. <br /><br />Vikings are synonymous with pirating, looting, raiding, and seafaring travel. Some would consider Vikings to be some of the best sea navigators of their day, and with good reason. Being a Viking was a job, and that job involved pirating. If a Viking wasn’t an excellent navigator, fighter, or plunderer of goods, the Viking wasn’t good at their job. <br /><br /><em>Egil’s Saga</em> follows the story and lives of the clan Egil Skallagrimsson, who holds the titles of farmer, skald, and Viking. The saga spans multiple generations and goes through the family’s history from Egil’s grandfather to Egil’s offspring. Like the pirates aboard the Whydah, Vikings plundered for loot across the seas. While pirates primarily overtook ships, and preferred not to fight and risk losing the enemy’s ship and the cargo it held, Vikings primarily raided along coastal waters and, as a result, didn’t have the heavy economical restrictions as golden-age pirates. As <em>The Sagas of the Icelanders</em> edited by Jane Smiley notes, the Viking’s “[f]irst notable attack on England came, according to the Anglo-Saxon Chronicle, in 793, when the church on the island of Lindisfarne was plundered and some people were slain.” While being a Viking was a job and title, piracy in the golden-age of pirates was more akin to a way of life. Vikings could go back home to their family in Iceland or Norway, but pirates didn’t typically have national allies, which made going to any kind of home much more difficult. <br /><br />The image chosen to go with <em>Egil’s Saga</em> and subsequently the Whydah Pirate Museum and Whydah shipwreck is the image of a Viking longboat at the Roskilde Ship Museum in Denmark. Both Vikings and the more modern, golden-age pirate used ships as their primary method of travel, which makes this image serve as a reminder not only of the seafaring ways of pirates and Vikings, but the possible dangers of sea travel during the period. This is an excellent image of a piece of Viking cultural history and, in part, the pseudo ancestors to the golden-age pirates of the 17th and 18th century.</p>
Bibliography
Aldrich, Ian. “The Whydah Gally | History of a Cape Cod Pirate Ship.” <em>New England Today</em>, 28 Nov. 2017, newengland.com/today/living/new-england-history/whydah-gally-history-cape-cod-pirate-ship/. <br /><br /><span class="TF">"Egils Saga." <i>The Sagas of Icelanders: A Selection. </i>Edited by Jane Smiley, and Robert Leland Kellogg. Translated by Bernard Scudder. </span>Kindle ed., Penguin. 2005.<br /><br />“Real Pirates.” <em>Field Museum</em>, 2009, archive.fieldmuseum.org/pirates/index.html. <br /><br />Webster, Donovan. “Pirates of the Whydah.” <em>National Geographic</em>, 1999, www.nationalgeographic.com/whydah/story.html.
Photographer(s)
Kisha G. Tracy
Allison St. Peter, Student, Fitchburg State University
Catalog Entry Author(s)
Nicholas Powell, Student, Fitchburg State University
Research Assistant(s)
Heather Ferguson, Student, Fitchburg State University
Accessible Description of Image(s)
First image: This black and white scene reveals a large canoe-like silhouette inside of a building on the coast overlooking a large harbor. The glass wall reveals a person in the harbor rowing a kayak with a foggy outline of buildings in the background on the opposite coast.
Description by: Michael Brito, Student, Fitchburg State University
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Roskilde, Denmark - Roskilde Ship Museum; West Yarmouth, MA - Whydah Pirate Museum and Whydah Gally
british literature I fall 2017
denmark
FAMExhibition
hammondexhibition
massachusetts
middle ages fall 2017
museum
photography ii fall 2017
pirate
sagas
ships
travel
viking
-
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Dublin Core
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Title
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Connecting the Medieval to New England
Still Image
Catalog Entry
<p>Giovanni Boccaccio is the author of the famous <em>Decameron</em>. He was born in 1313 in Certaldo or Florence, Italy; the exact location is unknown. He died December 21st, 1375. His gravestone is located inside the Church of Saints Jacob and Filippo in Certaldo, Italy. After the death of his father and stepmother due to the plague, Boccaccio began the composition of the <em>Decameron</em>. In the <em>Decameron</em>, Boccaccio focuses on numerous ideas throughout, but one specific idea is the focus on fortune and disability in Day 2, Story 1. Day 2, Story 1 is a story about a man named Martellino, who pretends to be visibly crippled in order to enter a heavily-packed church of a saint who has just deceased. Everyone makes a pathway for Martellino in order for him to be ‘healed’ by the saint for his disability, but someone in the crowd notices him and everyone starts to kick and fight him for lying about his disability. <br /><br />Joseph Palmer was born in 1789 in a village between Leominster and Fitchburg, Massachusetts. He was persecuted at the age of forty because of his beard. Palmer died in 1873. This persecution made such an impact on his life and is so widely known that it is engraved on his gravestone. Boccaccio also has writing on his gravestone, which he composed himself before he died. Palmer was persecuted because in the year 1830 citizens went as far as attacking Palmer with razor blades outside of a hotel in an attempt to cut off his beard. Palmer defended himself, rightfully so, and was sent to Worcester County Jail. During this time period, beards were considered the mark of lunatics. It is interesting how going against the social norms and having a beard enraged people enough to attack him and try to cut off his beard. Palmer was also attacked while in jail and continuously defended himself; they placed him in solitary confinement numerous times. During the Medieval period, disability was sometimes something that needed correction or needed to be cured. It is also known for using the “religious model,” which replaces medicine with religion. <br /><br />The connection Palmer and the character Martellino in the <em>Decameron</em> is how both were attacked due to not following social norms, but there are complex differences in their situations. In the <em>Decameron</em>, Martellino is only attacked because he lied about his disability; the civilians wanted Martellino to be healed. They wanted Martellino to be healed because it goes against the social norm during that time period of accepting someone who is a cripple. They relied on religion as medicine in order to change that. Their beliefs in this method were very strong, so the fact that someone would mock their beliefs and not respect the process they believed in was problematic. In Joseph Palmer’s case, not only was he considered to be a lunatic just because of his long facial hair, he was also accused of communing with the devil by his local preacher. It is interesting how hundreds of years later you can still be attacked for not following the social norms of the time period and how society takes action into their own hands in order to correct what they believe to be wrong, even authorities.</p>
Bibliography
“Certaldo.” Giovanni Boccaccio, www.certaldo-info.com/giovanni_boccaccio.htm. “Decameron Web.” <em>Decameron Web | Boccaccio</em>, www.brown.edu/Departments/Italian_Studies/dweb/boccaccio/life1_en.php. <br /><br />“Disability in the Medieval Period.” <em>Rooted in Rights</em>, www.rootedinrights.org/disability-in-the-medieval-period/. <br /><br />“Joseph Palmer: The Eccentric War Veteran Who Was Sent to Jail for Wearing a Beard.” <em>The Vintage News,</em> 24 Nov. 2017, m.thevintagenews.com/2017/11/24/the-man-who-was-sent-to-jail-for-wearing-a-beard/. <br /><br />Landrigan, Leslie. “Joseph Palmer Persecuted for Wearing a Beard.” <em>New England Historical Society</em>, 26 May 2017, www.newenglandhistoricalsociety.com/joseph-palmer-persecuted-wearing-beard/. <br /><br />“Remembering One Hero's Fight Against Anti-Beardism.” <em>Atlas Obscura</em>, Atlas Obscura, 14 Apr. 2015, www.atlasobscura.com/places/grave-of-joseph-palmer.<br /><br />Wheatley, Edward. "Cripping the Middle Ages, Medievalizing Disability Theory." <em>Stumbling Blocks Before the Blind: Medieval Constructions of a Disability. </em>University of Michigan Press, 2010. pp. 1-25, https://books.google.com/books?id=4Ofb5TWuJPoC&lpg=PR1&ots=rdboMV3bRw&dq=Stumbling+Blocks+Before+the+Blind+wheatley&lr=&pg=PR1&hl=en#v=twopage&q&f=false.
Photographer(s)
Kisha G. Tracy
Madison Whitten, Student, Fitchburg State University
Catalog Entry Author(s)
Courtney Jensen, Student, Fitchburg State University
Research Assistant(s)
Madison Dalmaso, Student, Fitchburg State University
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
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Certaldo, Italy - Giovanni Boccaccio Grave (Chiesa dei Santi Jacopo e Filippo); Leominster, MA - Joseph Palmer Grave (Evergreen Cemetery)
author
boccaccio
british literature I fall 2017
cemetery
church
disability
FAMExhibition
fitchburg
grave
hammondexhibition
italy
massachusetts
middle ages fall 2017
photography ii fall 2017
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Dublin Core
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Title
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Connecting the Medieval to New England
Still Image
Catalog Entry
In the image of the Madonna and the lily, the image is focused on the flower, and you can see the blurry outline of Madonna in the background. This image reflects and represents the story of <em>Judith</em> in many ways. Judith is described as “brilliant” and “radiant” (118), meaning she is beyond beautiful. The story also depicts Judith as extremely “wise” and “holy” (119). Judith becomes a female heroine in the story because her action to save her people was in the name of God. She wanted to rid her people of the leader of the Assyrian army Holofernes' power over and killing of the Hebrew people. Holofernes was an “evil doer…[and] a cruel prince, oppressing men…” (119). Judith’s goal is essentially to save her people. She devises a plan to get into Holofernes' room and decapitate him. Judith left the Assyrians leaderless, and they were ultimately defeated. Judith committed those actions under God and in order to save the Hebrews from being killed, and throughout this story she remains a female heroine. The focus of the photo is on the beautiful lily and viewers may overlook the Madonna in the background, just as Judith was hidden behind her beauty. She is seen only for her looks and not for her power and faith in God, and this image shows how the Madonna and Judith have more aspects in common than most people may think. This image can be connected to Judith because although she does represent beauty, like the lily, but she also represents the holiness and strength of the Madonna. <br /><br />The Virgin Mary shrine connects to both the image of Madonna and the lily as well as the story of Judith. Madonna is another name for the Virgin Mary, mother of God. The Virgin Mary statue in Clinton is enclosed in a structure to protect and preserve the condition for years to come. However, the shrine is evidently weathered. The outward appearance of the Virgin Mary connects with Judith because they are viewed and judged based on what they look like from the outside. The weathered shrine, because of its appearance, makes many people overlook such a beautiful representation of the Virgin Mary. Unfortunately, people will see the outward appearance and care little about the old, falling apart statue. However, until viewers realize that it represents a woman who was exponentially holy and possessed a beautiful spirit in the name of God, then they will not truly understand how these images and the story connect. This is similar to how viewers may only view the beautiful flower in the Madonna and the lily image. It is important to view every aspect of an image in order to realize that details may be hidden in the background or underneath weathered statues. Lastly, the shrine is covered and protected by a structure that houses the Virgin Mary. Judith uses her faith and love of God to defeat her enemies. She prayed and worshipped to him daily and that gave her strength. The structure surrounding and covering the Virgin Mary shrine can be viewed as God’s love and support protecting and keeping her safe. <br /><br />Author and speaker Matt Fradd explains how Mary, the Madonna and Judith might have more than being holy and powerful maidens of the Lord. Fradd explains how “each crushed the head of the enemy king” (Fradd). Judith beheaded Holofernes and saved the Hebrew people, and apparently Mary crushed the head of Satan, although some speculate this is inaccurate and false because only God could possibly eliminate Satan. However, Fradd explains its possibility by stating, "it is precisely because of her unique role in salvation history that we can say of [Mary], in a way that we can’t of others, that the God of peace crushed Satan under her feet” (Fradd). Furthermore, the images and the text depict the presence of God protecting and supporting Judith, the Madonna, and the Virgin Mary. Benedikt Otzen compares Judith to the Old Testament. He focuses on the theme that "Judith is the struggle between the God of Israel and the heathen king usurping the place of God” (Otzen 101). He focuses much on the religious aspect of the story and how Judith was successfully heroic due to her faith in God. Once viewers realize that the images contain representations of Mary, it makes it easier to understand how God clearly connects these powerful women.
Bibliography
Black, Joseph, et al, eds. <em>The Broadview Anthology of British Literature: The Medieval Period, Volume 1.</em> 3rd ed., Broadview, 2015.<br /><br />Fradd, Matt. <em>What do Jael, Judith, and Mary Have in Common. Apologetics.</em> mattfradd.com/what-do-jael-judith-and-mary-have-in-common/. <br /><br />Otzen, Benedikt. <em>Tobit and Judith</em>. Sheffield Academic Press, 2002.
Photographer(s)
Kisha G. Tracy
Hannah Geiger, Student, Fitchburg State University
Catalog Entry Author(s)
Tatyana D'Agostino, Student, Fitchburg State University
Research Assistant(s)
Aaron Canterbury, Student, Fitchburg State University
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Chiusdino, Italy - Madonna Statue (Abbazia di San Galgano); Clinton, MA - Private Mary Shrine
british literature I fall 2017
FAMExhibition
hammondexhibition
italy
judith
massachusetts
middle ages fall 2017
photography ii fall 2017
statue
women